“When you have sparks and those little pieces fall on the armour and fall on the ground, each of those are physics-based, and they also cast light and have shadows,” creative director Roman Campos-Oriola adds. “In the audio experience, the volumetric lights, and that’s also tied into the gameplay systems.” “There’s a lot of evocative things there,” art director Mike Yazijian says. Dozens of small details all add up to increase the richness of the world. Clouds of steam obscure your view, emergency lights flash, casting ominous shadows, and ventilation fans spin, tricking your mind into thinking there’s something scuttling in the corner of your eye. On the visual side, the place is laid out exactly as you remember it, but the improved graphics also lend themselves to the atmosphere of the place.
There’s a certain hollowness to it all that makes you feel like an ant trapped inside a discarded, haunted Pepsi can. It’s all around you, bouncing from ear to ear, and that’s without even mentioning the whispers, which sound as if they originate from inside your own head.
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